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U.S. District Judge Richard Arcara ruled that the 2004 mail and wire fraud indictment against Steven Kurtz, a University at Buffalo professor, was ''insufficient on its face..."Link (Thanks, Jody Radzik!)
''Obviously this is a weight off his back, but he still had to suffer through this for four years,'' said Kurtz's attorney, Paul Cambria. ''The last thing this guy is is a bioterrorist.''
The U.S. Attorney's Office in Buffalo said it was considering an appeal but otherwise declined to discuss the ruling.
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A portion of a talk I gave throughout much of last year had a little bit on typography, and quoted an article from October 2006, Web Design is 95% Typography (the percentage could be a little exaggerated, but the concept is solid):
During the Italian renaissance the typographer had one font to work with, and yet this period produced some of the most beautiful typographical work.
A perfect present-day example of working with one font + CSS to manipulate that to convey meaning and interest is the current one-pager for the Seed Conference in Chicago this June. Beautiful work. One font. All hypertext.
Oh, and it looks to be a great conference, too.
I just organized a bunch of snapshots from past Boing Boing tv shoots into a Flickr set. Link to photoset. Most of them I snapped and uploaded from my iPhone inbetween whatever we were shooting for the show, but the one above is kinda special. Here's the story, and the related episodes.
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The first one has just gone live: Photo-Emulsion Screen Printing, a HOWTO for making t-shirts for your movement's wardrobe needs.
Link, Link to RSS feed for Little Brother Instructables
The general idea: After stretching fine-mesh cloth over a wooden frame, you spread a thin layer of photosensitive emulsion on the screen and let it dry. You then take a black image on transparent or translucent surface, place it against the screen, and then expose the screen to light. The light causes the emulsion to harden and bind to the fabric. Where the light strikes the screen, the emulsion will bind, making a solid layer. Where the light is blocked (ie where your black image is placed) the emulsion remains water-soluble. After exposing the screen, you spray down the screen with water, washing off the emulsion only where your image was placed; this clear area is where ink will be pressed through the screen when you print. Finally, you lay the screen on your t-shirt, other fabric, or paper, spread ink on the inside of the screen, and press the ink through the screen. If you use textile ink, you can heat-set the ink after it dries, and it'll be permanent and washable.

LinkEmployers came to realize that perks could be as effective as threats in motivating the workplace. Vending machines became a common site in lunchrooms, many of them built by Automatic Canteen, one of the first large-scale producers of cigarette and snack machines.
Automatic Canteen began looking to add music to its list of vending machines, and in 1959 it bought William Rowe's jukebox company, naming the new enterprise AC Rowe. With an established list of corporate clients (Automatic Canteen exists today simply as Canteen), they sought to tap the motivational music business with a product called Customusic. This could be run from a dedicated jukebox in the supervisor's office and pumped out to the rest of the building.
Customusic was a direct competitor of MUZAK and offered the same variety of sonic atmospheres. Today's selections come from the "Productivity" portion of the sampler. Year unknown for this one, but the line art and lettering on the cover suggest the early1960s. These are bright, fully orchestrated covers having more in common with the "Beautiful Music" format than the horn-heavy (yet scrupulously recorded and engineered) offerings of MUZAK. Also absent is MUZAK's trademark Stimulus Progression concept, where tracks are arranged to enhance and heighten the positive effect of the music.
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