"Children and young people need to be empowered to keep themselves safe -- this isn't just about a top-down approach. Children will be children -- pushing boundaries and taking risks. At a public swimming pool we have gates, put up signs, have lifeguards and shallow ends, but we also teach children how to swim."This reminds me, too, of a line used last year by famed judge (and IP expert, to boot) Richard Posner in striking down an anti-video game law:
"Violence has always been and remains a central interest of humankind and a recurrent, even obsessive theme of culture both high and low ... It engages the interest of children from an early age, as anyone familiar with the classic fairy tales collected by Grimm, Andersen, and Perrault are aware. To shield children right up to the age of 18 from exposure to violent descriptions and images would not only be quixotic, but deforming; it would leave them unequipped to cope with the world as we know it."If only more people would recognize such things.

Ryan O'Hara writes in about BoxMaker, a postcardware app for making boxes. From the site:
BoxMaker is a little Java application that can generate the outlines for a box to be out of some material with a cutting device (ideally using wood/acrylic on a lasercutter!). You tell it the dimensions of the box (width, height, depth, material width), and it generates a PostScript file with the outlines for the 6 sides of the box. The dimensions are the outside lengths of the box.
Postcardware means the app is free, but you send them a postcard from where you live. How's that for site metrics!
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“If people use your site enough, they'll want an even faster way to reach the content they want. They're not browsing anymore. They are power users. They know what they want. Give them a nicely hackable URL to do this.”
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Raelx made this absolutely sick draft tower for his keggerator with carbon fiber. DIY alert, however, the guy works for Cannondale, so he's got primo access to supplies and tools. He includes some nice construction photos, too.
Related:
From the pages of MAKE:
Working with Carbon Fiber - Form, lay up, and cure your own high-performance composites
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Yesterday my wife and I stood in our unfinished condo deliberating paint colors. Closing day looms, and the developers require our color choices before they’ll finish their work. Our fondness for furniture aside, neither of us are interior designers or color mavens. So as we stood there in a white living room full of sawdust, we were stressing out big-time.
Fortunately one of our friends is an interior designer. We gave her a call and went back to the condo this evening. Within an hour, she took us from an intractable debate to a lovely solution. Given my line of work, I was as interested in her process as I was in the end result. How did she guide us to a beautiful color scheme when I, a supposed “designer,” couldn’t pick one color? What did she do differently?
The first thing she did is shed our preconceptions. “We can’t use a dark color in a small space” — not true. “We should have a different color in every room” — why’s that? “We don’t like [insert color]” — oh just give it a chance.
We had really boxed ourselves in with assumptions and myths, and I didn’t even realize it. She helped us forget these ideas and widen the space of possibilities. Next, instead of following abstract principles or assumptions, our designer looked closely at the colors that were already there. We looked at the colors of the cabinets, the dark wood floors, the surprising red touches in the light granite counters, and the green backsplash tiles. These were productive constraints, the kind you can juice. They reduced the possibility space in a way that was meaningful. Before long we had a palette of colors we loved, and a weight off our shoulders.
Creativity grows from constraints. But they need to be the right kind of constraints. The next time I think we “can’t” do something, I’ll try to remember my experience tonight and ask myself: Is this a meaningless preconception, or is it a productive fact I can work with? I know I’ll do better by focusing on the facts and leaving all other possibilities open.
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Dan Shapiro says: "Item #3 on this page consists of an attractive woman smearing superglue on her eyelid, then repeatedly poking herself. The goal is to create a western-style eyelid "crease", and the video is just creepy."
Link
Clay Roe says:
The podcast we produce, "Ask Mr. Biggs!", is a fictitious, small town radio call-in talk show.LinkA simple concept, to be sure. But there's a fun little twist.
Caller audio comes from real calls lifted from real talk radio shows. We remove the original host from the conversation, re-arrange the parts a bit, and insert Mr. Biggs as the new "host." The results are very seamless and comical, but not in ways you might think. We try not to go for easy laughs, but rather for a more subtle, nuanced, character-driven humor.
The podcast is produced by a couple of audio nuts, so the sound quality of the show is as good as you'll hear anywhere. Very clean and realistic. The calls are integrated with great care and precision. In fact, listeners to the podcast often never realize that the calls have been taken from other un-related sources.
It's this reason why we recently decided to lift our skirt, and expose the fact that these callers are from REAL talk radio broadcasts. You can't write this stuff. You can, however, edit and switch around what they're saying to make them even more unusual.


The Glowies use a small microcontroller, but they are really quite simple in both parts and function. The core of the unit is a silicon diode used as a temperature sensor (actually, two of them). These Glowies sense when temperature drops, and it turns blue. If the temperature rises, it turns red. Plus, it's completely solar powered, so you never have to change the battery. And I used very inexpensive parts, so you can't get much cheaper!
Color-Changing Hot & Cold LED Glowies
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The ban seems to stem from "improperly obtained information about a contract [IBM] was bidding on from EPA employees." Link
IBM is down just 1% in after hours trading.
Pink Tentacle has a nice gallery of old Japanese drawings of heads that look like faces right-side-up or up-side-down.
Joge-e, or “two-way pictures,” are a type of woodblock print that can be viewed either rightside-up or upside-down. Large numbers of these playful prints were produced for mass consumption in the 19th century, and they commonly featured bizarre faces of deities, monsters or historical figures (including some from China). Only a few examples of original joge-e survive today.Link