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Today on Boing Boing Gadgets we looked at this "Love Mattress" concept design which many rightfully pointed out would be a pain to keep clean, some boring earbuds with a slick birch wood shell, a new media streamer from Archos that can't quite do HD for some reason, a clever new conical power strip, an attractive, expensive new glass monitor from Dell (I know!), a tribute to Classic Space LEGO with extra greebles, a hot rock for cooking, coupons from the gubbermunt for digital TV convertor boxes, an upcoming game and guitar that lets you learn to play with a Guitar Hero-like system, Belkin's new RockStar headphone hub, and a brief notice that the new Indiana Jones-themed LEGO sets are now on sale. And some deals (although nothing special).
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Intuitively, it makes sense for users to be able to make whatever use they please of information about their own social networks. But in a social network, "your" information is someone else's as well. And on a site like Facebook, much of that information will have been provided in the context of a set of individually calibrated privacy controls, by people who expected it to be used in that context by a limited audience. Exporting that information without permission, then, raises important privacy questions.
Within Facebook, users have a fair amount of control over who can access what information about them. I can choose to block particular users on Facebook, rendering myself wholly invisible to them, as though I weren't even on the network. I can decide how much of my profile information will be visible to friends, to people who live in my region, to the general Facebook membership, and to the Internet at large. I can even decide how aggressively public, so to speak, such information will be. Lots of Facebook users are happy to let friends view their relationship status, but disable those status notifications in their news feeds, to prevent everyone they know from being simultaneously blasted with the news that "Bob has gone from being in a relationship to being single." Automated data collection "liberates" information from those constraints, possibly against the wishes of the people who provided it.
It's true that a script can only sweep up information that would already have been visible to a particular user anyway. But privacy is not just a function of the publicity of your personal information, but of the searchability and aggregability of that information. Public closed-circuit surveillance cameras, for instance, typically capture the same information that a casual observer on the street is already privy to. But we recognize that being spotted by diverse random pedestrians, or even being captured on diffuse and disconnected private security cameras, is not intrusive in the same way as being captured on a citywide surveillance system that is searchable from a centralized location. By the same token, I may be unhappy with the possibility of someone forming an external public database full of data I've freely shared with more narrow communities—personal, regional, or whatever.
None of this is to deny the initial intuition that it's desirable for users' social graphs to be portable to some extent. But as with all forms of intimacy, openness and privacy complement each other: We feel free to share information about ourselves to the extent that we have some assurances about how that information will be used. So while it's one thing to argue that Facebook should enable greater openness or portability in some particular way, subject to user control, it seems like quite another to criticize them for enforcing a rule about indiscriminate automated data collection.Julian Sanchez is an expert at the Techdirt Insight Community. To get insight and analysis from Julian Sanchez and other experts on challenges your company faces, click here.
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Link (Via Ursi's blog)The photographs for this portrait series were taken in various locations around the world between 1987 and 2005.
The Gerontology Research Group estimates there are 250,000 centenarians (people 100 years and older) currently living in the world. In rare instances, people live to 110 years and beyond, inspiring a new demographic label: supercentenarian. The Gerontology Research Group, through rigorous investigation of records, acknowledges about 65 supercentenarians, and estimates that about 350 are alive worldwide today.
The idea to photograph people who have lived in three centuries evolved over the course of the project. First, I was simply interested in taking portraits of people who appear worn beyond their years by living extraordinarily hard lives. Those experiences drew me to centenarians, and on to supercentenarians and their stories.
The interview with his father is funny and heart-warming. LinkMy father has been drawing this same ‘face’ on my birthday cards and cakes for as long as I remember. I recently started pressing him for info about this face that he’s been drawing for 60 years and it all unfolded with a completely unexpected and satisfying ending.
Adobe pushed out an upgrade of its Creative Suite. I installed it, as prompted. This is what happens when I try to run any element of the Suite after the install.LinkClick on the modal dialog box and the program closes. For extra redundancy, there's a second error message that reads "licensing for this product has stopped working." But I am impressed that I wasn't merely able to get the programs to fail, but that I got them to fail "catastrophically."
Staake once told me that he still draws with a mouse and an ancient copy of Adobe Photoshop 3.0 (on Mac OS 7, I seem to remember). Here's a video to prove it.
This is one guy who won't be switching to a Cintiq anytime soon. It reminds me of Hunter S. Thompson using his IBM Selectric and a fax machine to submit his stories in the 21st century.
No matter -- Staake is an absolute wizard at what he does, and watching his odd drawing process is really something to behold, at least for and Adobe Illustrator die-hard like myself. Link to Staake's website (Via Drawn!)
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