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LinkIn any town, any scene, any time, you can count on the fingers of one hand the largely unheralded folks that facilitate almost everything thing of note that happens. They are there early on, giving quiet, confident encouragement – and, as importantly for starving artists, the occasional big break in event cost or maybe various services provided but somehow unbilled. These two or three princes never expect anything in return other than to watch the blossoming and growth of what they consider to be (and usually are) the most worthy enterprises. Other’s who “make things happen” the individuals, deserving or not who do get the lion’s share of the credit – you know who they are – they’re in the papers, on the radio, these folks know who those two or three are and always owe them a debt.
Jack Davis is one of those princes. At crucial points in the life of almost any significant Frisco art endeavor/scene/ organization (underground or established,) Jack has, in some capacity, small or gigantic, been pivotal in its life and growth. As Director of SomArts Gallery in SOMA for the last twenty years, one of the largest, best and most easily accessible art/event/party places in the City, Jack and his wonderful staff have given untold thousands of nascent artists, community groups and provocateurs their first big or pivotal show and a grand forum for promulgating their ideas and spirit in the local scene. Many of these individuals and organizations have moved on to national prominence. Following is a very small sampling of groups that benefited from Jacks involvement and/or support: The Neighborhood Arts Program (one of the founders) this group kicked off most of local Cultural Centers, Intersection for the Arts (past Director,) S.F. Mime Troupe (Board Member,) Burning Man (first big in-town events in the early 90’s were at SOMARTs for extremely low cost,) Day of the Dead, The Farm, Pickle Family Circus, Make a Circus, Dance Mission, Cellspace, S.F. Pride, Survival Research Labs (Jack held the cops off while Mark and crew got away!) The list goes on & on.
I still didn't have the N800 working reliably on my home network, but it worked everywhere else I tried it, so I was determined to figure out what was wrong. I heard about a program called Kismac that helps you debug wifi, and it was a little bit of help. But the tide turned when I decided to turn off wifi routers (I had four running) and see if the N800 would start working. Well, one of my two Airport Extremes made the difference, when I turned it off, the N800 started working. So after a bit I tried turning it back on, and the N800 still worked. No explanation, but knock wood, it's still working an hour later.
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Lumiere video arises from the tradition of the French Lumiere brothers. Credited with some of the first footage captured, in 1895, the Lumieres are also recognized for holding the first public film screening, showing ten shorts that lasted only twenty minutes total. At the time, Louis Lumiere stated, “The cinema is an invention without a future,” believing that everyday photography and video was ultimately nonsensical. Yet, we stand firm that Lumiere principles are essential to our existence as artists, media producers, visual creatures, and world citizens.Link (Link and hed snagged from Warren Ellis)From a documentary perspective, and because Auguste and Louis Lumiere are thought to have produced the rudimentary firsts in this now well-known genre, founders of the field are essential to how we view our work today on a continuum. Lumieres emerge from the belief in filmmakers' distinct points of view; appropriately, lumiere literally means “light” in English. Online video has now for years allowed the advancement of personal narratives and showcased the world through the eyes of other video producers. At best, we display an edited view of our worlds. At worst, we destroy important viewpoints through unnecessary editing.
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Design Observer has a slideshow of images of Burma in 1989 by William Drenttel. Snip from intro:
Link.According to Wikipedia: 8888 Uprising was a national peaceful revolution demanding democracy that started on August 8, 1988, in Burma (now Myanmar), when university students started the initial demonstrations in Rangoon. The Uprising ended on September 18, 1988, after a bloody military coup by the State Law and Order Restoration Council (SLORC). Thousands, mostly monks and civilians (primarily students) were killed by the Tatmadaw (Burmese armed forces).
I spent a month in Asia in early 1989, and was fortunate enough to purchase an entry visa into Burma from Thailand. On February 24, 1989, my passport was stamped number 263, meaning the Burmese government admitted less than 300 tourists that month. Only four months earlier, the military regime had killed an estimated 3,000 civilians during the 8888 Uprising.
This slideshow of photographs from 1989 is dedicated to the people of Burma — as they again confront one of the most brutal regimes in the world.
Previously on Boing Boing:
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When ABC's senior foreign correspondent Jim Sciutto crossed into Myanmar today from neighboring Thailand the authorities took away his camera. So he filed his report for World News and the webcast, with the next best thing, his cell phone.Link
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Today is Blog Action Day, the day when bloggers all over the world post something about the environment, in a global effort to raise awareness about the most important issue facing humanity today. You can participate -- just post to your blog about the environmental issue that you're most passionate about.
Link
(Thanks, Andrew!)
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