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I snapped this photo of three flying saucerlike clouds hovering over the 101 in Tarzana about an hour ago. I believe they are lenticular clouds. Google images has lots of nice examples of lenticular clouds. Link
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Over at my Rule the Web blog, my editor David Moldawer and I have been producing a daily 60-second podcast, each of which offers a tip on how to get things done online. Subscribe in iTunes

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NYC artist David Hochbaum’s solo show opens this Saturday at Corey Helford. It will include over 50 works including photo constructions, works on paper, and giant (20 x 24”) original Polaroids. Only four of these cameras exist in the world and kodak is discontinuing the film.
LinkI'm teaching a course through a distanced learning site called Maybe Logic Academy - where Robert Anton Wilson used to teach everything from James Joyce to economics theory.
My course, Technologies of Persuasion, is beginning in just two weeks. I haven't promoted it anywhere - I just haven't had time or energy these days to do more than what's right on my plate - so this should be a small and intimate group. And it's a hell of a lot cheaper than paying for NYU.
Plus, we'll get to be a little crazier than people are generally allowed to get in a college seminar room, with some no-holds-barred discussions on how media and technology shape the way we think, and why we seem to remain so pitifully unaware of the biases of the media we use.
Previously on Boing Boing:
• Boing Boing interviews Doug Rushkoff about his Testament comic book
• Rushkoff's new book Get Back In The Box
• Douglas Rushkoff fiction in Nerve
• Rushkoff on Guruphiliac
• Interview with Douglas Rushkoff (MP3)
• Rushkoff's Testament issue #1, now free
• Barbara Rushkoff's new parenting blog
• Rushkoff's Thought Virus #4
• Douglas Rushkoff's Thought Virus #3
• Rushkoff on the futility of artificial workplace fun
• Doug Rushkoff's final Thought Virus from his new book
• Rushkoff's Thought Virus #5: The Ben & Jerry's Syndrome
Link
Greg landed at San Francisco International Airport at 8 p.m., but by the time he'd made it to the front of the customs line, it was after midnight. He'd emerged from first class, brown as a nut, unshaven, and loose-limbed after a month on the beach in Cabo (scuba diving three days a week, seducing French college girls the rest of the time). When he'd left the city a month before, he'd been a stoop-shouldered, potbellied wreck. Now he was a bronze god, drawing admiring glances from the stews at the front of the cabin.Four hours later in the customs line, he'd slid from god back to man. His slight buzz had worn off, sweat ran down the crack of his ass, and his shoulders and neck were so tense his upper back felt like a tennis racket. The batteries on his iPod had long since died, leaving him with nothing to do except eavesdrop on the middle-age couple ahead of him.
"The marvels of modern technology," said the woman, shrugging at a nearby sign: Immigration--Powered by Google.
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Notice that this has nothing to do with piracy -- this is about Apple limiting the choices available to people who buy their iPod hardware. I kept my iPod when I switched to Ubuntu Linux a year ago, and I've been using it happily with my machine ever since (though it took me a solid week to get all my DRMed Audible audiobooks out of iTunes -- I had to run two machines 24/7, playing hundreds of hours of audio through a program called AudioHijack, to remove the DRM from my collection, which had cost me thousands of dollars to build). I'd considered buying another iPod when this one started to show its age -- it's a perfectly nice player to use, provided you stay away from the DRM.
The new hardware limits the number of potential customers for Apple's products, adding engineering cost to a device in order to reduce its functionality. It's hard to understand why Apple would do this, but the most likely explanations are that Apple wants to be sure that competitors can't build their own players to load up iPods -- now that half of the major labels have gone DRM free, it's conceivable that we'd get a Rhapsody or Amazon player that automatically loaded the non-DRM tracks they sold you on your iPod (again, note that this has nothing to do with preventing piracy -- this is about preventing competition with the iTunes Store).
It won't be the first time Apple has rejigged iTunes/iPod to lock out competitors: back when Real built a DRM player for its own music that would run on an iPod, Apple threatened to sue them and engineered a firmware update to break their code (again, nothing to do with fighting piracy). This is the soul of anti-competitiveness: Real made code that iPod owners could use to get more legal use out of their iPods, Apple threatened to sue them for endangering their monopoly over delivering iPod software.
This is all par for the course, of course. Businesses have taken countermeasures to prevent competitors from interoperating with their products for decades. Apple had to break Microsoft's file-formats to give Numbers, Pages and Keynote the ability to read Office files -- they're enthusiastic participants in "adversarial compatibility." Decades ago, IBM lost a high-profile lawsuit against co